C F G I was blessed to fight with you all night I hadn't even know what funAm F G Oh the war was dressed in scarlet and in white, like the whore of BabylonC F G Shook your conscience, held it to the light, tried to see what was written on itAm G I said, "Baby don't ya think, you're being a little bit drastic?F G There are things in this world that you can't buy with plastic.Am G You blew through your cash like a Klondike miner.F G Someday you'll maybe feel the lash of the Intelligent Designer."C Oh, your doctor died, BabyF G I believe he lost a-hold of himselfAm Oh, it wasn't a homicideG F G Your doctor was in such poor healthC And I'm a lot like himF G I believe I've lost controlAm G F And those are the terms of our love on paroleAm G C FC F Oooh, they found us out in pavilions of doubtG And cathedrals of longing and death without warningAm G The room readied itself for that transfer of powerC G When you rode right through in your penultimate hourC And said, "I can see the billboards and the history written large."G You said, "That was no-one's wedding, Baby, that was Picket's Charge."Am G And for all of your talk of ending the fray,F G There's not a part of your heart that would have it that wayAm G Oh, ya couldn't make a cup of teaF G Without a battle strategyAm G F Which doesn't feel right until it takes it tollAm G F And those are the terms and conditions of our love on paroleC F G Am F G C F G Am G F Am G FC F Oh, abrasive and unbearable, a half-step from hystericalG You stopped waiting for the miracle and started praying for the endAm Oh, you were never less than charitableG But I can think of nothing so terribleF G As to no longer be your lover and only be your friendC F Now I could never navigate your body's complex narrativesG That which lived and died and lies in stains And still suffered its imperativesAm G F And anyway, I was never that interested in your heart and soulAm G F I just wanted to see you and make love on parole
Love On Parole
The Mendoza Line
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Continua depois do anúncio
Tom:
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