Hidden Agenda

D G D G B E
Note: This is the tuning that Jim uses on all the songs on Deviant

Notes on Performance
====================
Jim uses many effects on this track so achieving his sound is very 
difficult. He uses all
Ibanez guitars, RG550s and RG570s, but live he mainly an SCR Series 
Ibanez which is
unmodified and exactly as it was in the factory. His live effects rig 
is:

Digitech Whammy Pedal (ala Tom Morello) - Used all over the Deviant 
album, specifically
the intro to 'Wafer Thin' and the middle of 'Dead Bettery'
Wah-wah - Used all the time
Envelope Filter - Essential for the excessive 'squelchy' sounds that 
Jim is known for but
can be approximated with...creative...wah wah use :) (In case, like me,
 you had no idea
what an envelope filer is it's like an auto-wah but with a much wider 
and more extreme
range of sounds.)
Flanger
Six patches on a Rocktron Chameleon pre-amp controlled my a midi board


Intro/Verse
===========

E|-------| 
B|-------| 
G|-------| 

D|-6~~~~~
G|-------| 
D|-------| 

(Rock wah wah back and forward to its extremes in a regular rhythm 
throughout the whole
verse)

Meanwhile this is played:

E|-------------------| 
B|-------------------| 
G|-------------------| 
D|---7--6------4--6--| 
A|-------------------| 
E|-------------------| 

(Wah closed)


Pre-Chorus
==========

E|-------------------------------| 
B|-------------------------------| 
G|-------------------------------| 
D|-------------------------------| 
A|-6-8---66-8--------6-88--66-8--| 
E|-4-6---44-6--------4-66--44-6--| 
         ..            ..  ..      

(Heavy distortion, the dotted chords are palm muted.)

After the chords above have been played twice, Jim plays this over the 
top of the rhythm
guitar:

E|-------------------------------------------------------| 
B|-------------------------------------------------------| 
G|-------------------------------------------------------| 
D|-------------------------------------------------------| 
A|-----------------------------------------------6-5-4~~~| 
E|-4-6--44-6-4-6-4-4-6-4-6---4-6--44-6-4-6-4-4-6---------| 

(Envelope filter on. Rock wah back and forward madly for that squelchy 
tone. Don't follow what I have tabbed too closely, listen to the track 
for the definitive way to play it.)


Chorus
======

Rhythm:
E|---------------------------| 
B|---------------------------| 
G|-4-6--xx--10-9----xxxxxxx--| 
D|-4-6--xx--10-9----xxxxxxx--| 
A|-6-8--xx--12-11---xxxxxxx--| 
E|-4-6--xx--10-9----xxxxxxx--| 

(Heavy distortion)

Lead:
E|-----------------------------|                                  
B|-------------------------<9>-|                                  
G|----------10-9-----------<9>-| (Note: I've tabbed harmonics as t
D|----------10-9-----------<9>-| really, if you listen to the trac
A|----------12-11--------------| his guitar into feedback at this 
E|----------10-9---------------| you normally would.)             
E|  
B|  
G|he
D|k 
A|po
E|  
E|                       
B|                       
G|y work on my setup but 
D|you hear that Jim sets 
A|int so do that however 
E|                       

(With wah and envelope filter)

Second verse and pre-chorus
===========================
Same as before


Outro (the really really cool bit) :)
=====================================

Rhythm plays these chords throughout the whole outro.
P.S. I bet your lead player can't resist joining in at this point... ;)

E|---------------------------------------------------------| 
B|---------------------------------------------------------| 
G|-----------------------------4--4-4--4-4--6-6-6-6--------| 
D|-6--4-6--4-6--4-6--4-6--4----4--4-4--4-4--6-6-6-6--7--7--| 
A|-8--6-8--6-8--6-8--6-8--6----4--4-4--4-4--6-6-6-6--9--9--| 
E|-6--4-6--4-6--4-6--4-6--4--------------------------7--7--| 

(Distortion)


Lead Line
Right, very Jim Davies sounding bit this so use your envelope filter or
 work that wah wah
loads in time with the music. I tend to rock up on the higher notes to 
make then jump out
and then rock it back on the crunchy lower notes but as always, listen 
to the track.

E|---------------------------------------------------------| 
B|---------------------------------------------------------| 
G|-8--6-8--6-8--6-8--6-8--6\\--6--4-6--4-6--9-9-9-9--8--6--| 
D|---------------------------------------------------------| 
A|---------------------------------------------------------| 
E|---------------------------------------------------------| 

E|---------------------------------------------------------| 
B|---------------------------------------------------------| 
G|-8--6-8--6-8--6-8--6-8--6\\--6--4-6--4-6--9-9-9-9--8--9--| 
D|---------------------------------------------------------| 
A|---------------------------------------------------------| 
E|---------------------------------------------------------| 

Repeat that quite a few times, remember that at the start of the outro 
it IS there but
very quiet, then ramp the volume after the vocal cue. After a while it 
changes to:

E|----------------------------------------------------| 
B|-8--8-8-8-9~--8--8-8-8-9~--8--8-8-8-9--11--9--8--9--| 
G|----------------------------------------------------| 
D|----------------------------------------------------| 
A|----------------------------------------------------| 
E|----------------------------------------------------| 

• B
• D
• E
• G