Composição de: Steve Rothery / Ian Mosley / Mark Kelly / Pete Trewavas
Tom:
Afinação:
Intro and Verse - Clean guitar with Chorus and Delay
E|-----------------------------------------------|
B|-----1--3--1h3p1p0-----0-h-1--0----------------|
G|-----2--------------2------------2--2-p-0--0---|
D|-----2-----------------------------------------|
A|--0--0-----------------------------------------|
E|-----------------------------------------------|
E|--------------------------------2--|
B|-----1--3--1h3p1p0-----1--------3--|
G|-----2--------------2-----0-----2--|
D|-----2-----------------------3--0--|
A|--0--0-----------------------------|
E|-----------------------------------|
There are slight fills at the end of this, which are different
for the two verses. They are
E|---0h2--|--3-2---|
B|--------|--------|
G|--------|--------|
D|--------|--------|
A|--------|--------|
E|--------|--------|
The bits between verses are just Eb and F chords played as
follows
EbF
E|---6---------|
B|---8----10---|
G|---8----10---|
D|---8----10---|
A|---6----8----|
E|-------------|
It goes Eb - F - Eb - F - Eb - F -Eb - F - F - F.
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SR arpeggiates the chords second time around.
After the second 'chorus' he whips on a capo at the third fret
and plays an arpeggiated Cm7 as follows.
E|------------------6--|
B|-----------4p3h4-----|
G|--------5------------|
D|-----5---------------|
A|--3------------------|
E|---------------------|
He plays this repeadedly until the solo (There are various odd
bits of guitar under it but I haven't bothered to work them out)
Solo - a cracker. It's simple and very effective and I think I read
somewhere that he improvised it!!
E|--------------------------------------------------------|
B|--(16)b18~---11--9--11--(11)b13~------------------------|
G|--------------------------------------------------------|
D|---------------------------------------3--6--3--8/10\8--|
A|--------------------------------------------------------|
E|--------------------------------------------------------|
dive with bar
E|----------------------------------------------------13--|
B|-----------------------16-p-13--16~--16p13--(16)b18-----|
G|--------------------------------------------------------|
D|--8p6p3--3--6q\----/------------------------------------|
A|---------------\--/-------------------------------------|
E|----------------\/--------------------------------------|
E|-------| rpt x 8
E|--(15)b16~-16--(15)b16--16--18--(18)b20~------16p13-----|
B|-------------------------------------------13-----------|
G|--------------------------------------------------------|
D|--------------------------------------------------------|
A|--------------------------------------------------------|
E|--------------------------------------------------------|
E|----------------------------------------------------------|
B|--(16)b18-------------------------------------------------|
G|-----------13--13~--13h15p13--13~\------------------------|
D|------------------------------------6~-3--6h8-6-8/10--10~-|
A|----------------------------------------------------------|
E|----------------------------------------------------------|
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E|----------------------------------------------16-18-(18)b20~|
B|-----------------------------------16-(16)b18---------------|
G|--10\-------------------------------------------------------|
D|-------6~-8--6--8/10--8~--10-6p5p3--------------------------|
A|------------------------------------------------------------|
E|------------------------------------------------------------|
Then this bit which is great fun - still distorted.
E|-----3---------------------3--3-----------------|
B|-----4--3------------------4-----4-----6--------|
G|-----5-----3-----5---------5--------3--5--------|
D|-----5--------3--6---------5-----------3--------|
A|--3--3-----------6------3--3--------------------|
E|-----------------4------------------------------|
This chord sequence is used until the end. Steve solos over it
after a while, using the same melodic ideas as the solo, but
now in Cm as opposed to Fm.