|Bb             |Db             |Db     C       |B D G  |E              |

|F      Dmi     |Bb     Gmi     |C      F       |Ami    Dmi     |

|B      F#      |C#     G       |Bb     F       |Bb     Ab      ||

|G      E       |A      E       |G      E       |A      E       |

|A      E       |G      D       |F      C       |Eb     Bb      |

|F              |Ab             |F              |Ab             |

|Ab             |A              |Bb             |B              |

|C      G       |Bb     F       |Ab     Eb      |Gb     Db      ||

|F      Dmi     |Bb     Gmi     |F      Dmi     |Bb     Gmi     |

|F      Dmi     |Bb     C       |C              |Db             |

|F      Dmi     |Bb     C       |C      F       |Ami    Dmi     |

|Bb             |Db             |Db     C       |B D G  |E              |

|F      Dmi     |Bb     C       |C      F       |Ami    Dmi     |

|Bb             |Db             |Db     C       |               ||

|Dmi            |Emi            |Ami            |               |

|F              |Dmi            |Bb             |Gmi            |

|F              |Dmi            |Bb             |Gmi            |

|F              |Dmi            |               |               ||


--
E|----------------------------------------------------------------------------|
Jeff Langille   |"...if I were standing next to you with a metronome and   !
blee@is.dal.ca  !a baton (frowning and smoking a lot of cigarettes), I     |
Halifax, N.S.   |would insist that the rhythms be accurate , and that only !
                !the pitches which reside outside the basic tonality       |
ugrita fusft    |(the original "wrong notes") could be altered." - FZappa  !
E|----------------------------------------------------------------------------|