Composição de: Matt Kean / Lee Malia / Oli Sykes / Mat Nicholls / Curtis Paul Lee Ward
Tom:
Afinação:
Gtr I (B F# B E G# C#) - 'Untitled'
Gtr II (B F# B E G# C#) - 'Untitled'
4/4
Gtr I
H Q H +Q W
||--------------------||----|
||o------------------o||----|
||--------------------||----|
||--------------------||----|
||o-8--12-10-(10)----o||----|
||----------------11--||----|
|
| Gtr II
| H Q H +Q W
||--------------------||----|
||o------------------o||----|
||--------------------||----|
||--------------------||----|
||o-5---8--7--(7)----o||----|
||-----------------8--||----|
Gtr I
PM PM
H H H H S E Q S E Q Q +E
||--------------------------------------------||----------------------|
||o------------------------------------------o||----------------------|
||--------------------------------------------||----------------------|
||--------------------------------4-4----1-1--||----------------------|
||o-5tr8--8tr12--7tr10------------4-4----1-1-o||----------------------|
||----------------------8tr11---0-4-4--0-1-1--||--0b2r=========(0)----|
Gtr I
PM--| PM| PM| PM PM PM PM--|
S S S S S S S S S Q S S S S S S S S S S S S T
Página 1 / 5
||---------------------------------------------------------|
||o--------------------------------------------------------|
||---------------------------------------------------------|
||---------------------------------------------------------|
||o--------------12-----11---8---8---8---------------------|
||--0-0-0-11-0-0----0-0----0---0---0---0-0-0-11-12-14------|
|
| Gtr II
| PM--| PM PM----------|
| S S S S S S S S S Q S S S S S S S S S S S S
||---------------------------------------------------------|
||o--------------------------------------------------------|
||---------------------------------------------------------|
||---------------------------------------------------------|
||o-0-0-0------------------0-----------0-0-0--0--0--0------|
||--0-0-0------------------0-----------0-0-0--0--0--0------|
Gtr I
PM--| PM| PM| PM PM
S S S S S S S S S Q S E Q S E Q
|------------------------------------------||
|-----------------------------------------o||
|------------------------------------------||
|---------------------------4-4----1-1-----||
|--------------12-----11----4-4----1-1----o||
|-0-0-0-11-0-0----0-0-----0-4-4--0-1-1-----||
|
| Gtr II
| PM--| PM PM
| S S S S S S S S S Q S E Q S E Q
|------------------------------------------||
|-----------------------------------------o||
|------------------------------------------||
|---------------------------4-4----1-1-----||
|-0-0-0---------------------4-4----1-1----o||
|-0-0-0-------------------0-4-4--0-1-1-----||
Gtrs I, II
PM----| PM PM------------| PM PM
S S S S Q S S Q E S S S S S S S S H S E Q S E Q
||------------------------------------------------------------------||
||o----------------------------------------------------------------o||
||------------------------------------------------------------------||
Página 2 / 5
||-----------------------------------------------4-4----1--[10]-----||
||o-0-0-0-0----0---------0-0-0-0-0-0-0-0---------4-4----1----------o||
||--0-0-0-0----0---------0-0-0-0-0-0-0-0-------0-4-4--0-1-----------||
PM----|
S S S S Q H +Q
|---------------------------|
|---------------------------|
|---------------------------|
|---------------------------|
|-0-0-0-0-------------------|
|-0-0-0-0----0pb3r===(0)----|
Gtr I
PM PM
H H H H S E Q S E Q
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|------------------------------------------------------4-4----1--[10]-
|-5tr8-------8tr12---------7tr10-----------------------4-4----1-------
|--------------------------------------8tr11---------0-4-4--0-1-------
|
| Gtr II
| PM-------| PM PM--------------------| PM PM
| S S S S Q S E Q S S S S S S S S S H S E Q S E Q
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|------------------------------------------------------4-4----1--[10]-
|-0----0-0-0-------0-------0-----0-0-0-0-----0-0-0-----4-4----1-------
|-0----0-0-0-------0-------0-----0-0-0-0-----0-0-0---0-4-4--0-1-------
PM PM
H H H H S E Q S E W
Página 3 / 5
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|------------------------------------------------------4-4----1-[10]--
|-5tr8-------8tr12---------7tr10-----------------------4-4----1-------
|--------------------------------------8tr11---------0-4-4--0-1-------
|
| PM-------| PM PM--------------------| PM
| S S S S Q S S Q E S S S S S S S S H S E Q S E W
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|------------------------------------------------------4-4----1-[10]--
|-0----0-0-0-------0-------0-----0-0-0-0-----0-0-0-----4-4----1-------
|-0----0-0-0-------0-------0-----0-0-0-0-----0-0-0---0-4-4--0-1-------
----------------------------------------------------------------------
-|------
Duration Legend
---------------
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number
it represents the
duration for. Duration letters with no fret number below them
represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to
rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release
immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
Página 4 / 5
- natural harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
Misc Legend
-----------
| - bar
||o - repeat start
o|| - repeat end
: - bar (freetime)
& - Coda
----------------------------------------------------------------------
-|------